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Richard Smith rose to the forefront of the emerging avant-garde scene in London in the 1960s, standing apart from the burgeoning Pop Art movement by melding the slick and vibrant imagery found in advertising billboards and consumer packaging with an abstract painterly style very much his own. He gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery.

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