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The exhibition dissolves the hand / machine relation and the transgression / containment status in order to find harmony.

How seemingly opposite or contrary forces may actually be complementary and interact to form a dynamic system in which the whole is greater than the assembled parts.

Dean Levin received his Bachelors of Architecture from Pratt Institute Brooklyn, New-York in 2012. His work has been shown internationally at spaces such as Kohn Gallery and Roberts and Tilton (Los Angeles), Bill Brady Gallery (Kansas City), Luring Augustine, Sean Kelly, Marianne Boesky (New-York), Super Dakota (Brussels), Berthold Pott (Cologne), Galleria Marta Cervera (Madrid), Rod Barton and Pippy Houldsworth (London), Coma (Sydney), Fredric Snitzer Gallery (Miami).

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  • Super Dakota's Exhibitions 18
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