Magic presents a collection of work reconfigured for the present and future. United by commonality, they are characterized by underlying connections between inner forces and outward appearances, through attributes of analog and digital processes.

A conjuration signals a return of both abstraction and a new abstraction: a response to contemporary life to globalization and the desire for new interpretations, new materials, new technology, and new high-definition calibrations in the endless pursuit of the contemporary.

Each piece is chosen for its humor and economy of means, self-contained even as it is part of the overall composition of the exhibition. After too much art that made sense, much of this art evades categorization and defies speculation. It exists in the in-between where sculpture, painting and sometimes photography overlap. The play of presence and absence across material and medium at times overwhelms, contradicts and distorts. Architectural structures and intellectual constructions cast a spell across real and imaginary spaces; now you see it, now you don’t.

Evocation of natural and man-made forms, as well as resistance to any exacting literalist reading, the works on view are determinedly anti-descriptive - knowledge on a need to know basis. At the same time, they prove that abstraction can at times accommodate spiritual and emotional content, providing solutions - informed by geometry to tensions between harmony and division.

Do you believe in magic? A universal art form, reflective of specificity yet it thrives without regard to any. The very best magic thrills as a theatrical defiance of natural law. The lowest, just a sleight of hand among friends, both sides enamored – just enough - of the logical procession of deception. Which points us to the ways the art on view remakes itself, through alchemy of effort, always hungry for the new.


  • Roberts Projects's Exhibitions 17
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