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To Otto Ford (b. 1978) it became increasingly clear that nothing new was happening in contemporary painting, in fact that nothing new had happened for a long time. In the canvases of recent years he saw painters merely repeating styles and returning again and again to the aesthetics and techniques of the past. But nevertheless, motivated by his undying fascination with painting and the possibilities of its visual language, he began making studies on the essential nature of pictures in general.


  • Gnyp's Exhibitions 31
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