Almost a Portrait

Almost a Portrait

Warren Linn maintains sketchbooks. His daily practice of drawing becomes the basis and source for his artwork. These are chronicles. The artist utilizes his forty years of experience with illustrations to reconstruct his sketches and previous fragments into collages and assemblages of variously shaped forms. Although Linn initially starts with a well-planned intention or narrative, his work is deeply informed by the unexpected. Accident, surprise, and discovery are incorporated into his creative process. Linn is both blessed and burdened with insatiability. He often revisits works for editing after having thought them resolved. Similar to the Abstract Expressionists who inspired him early on, Linn allows the viewer to pick up where he leaves off, resulting in works open to interpretation despite the definitive imagery. The ambiguity within his collages is a product of drawing, painting, and construction coming together.

Almost a Portrait

  • Denise Bibro Fine Art's Exhibitions 16

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