1986 · Ireland
Yuri Pattison is an emerging artist, who was born and brought up in Ireland, like other prominent artists such as Sarah Dwyer, Jackie Nickerson, Eamonn Doyle, David Quinn, and Katie Holten. Yuri Pattison was born in 1986.
Galleries and Exhibitions
Yuri Pattison is represented and exhibited by two galleries, which are Labor in Mexico City, Mexico and Klosterfelde Edition in Berlin, Germany. Yuri Pattison's work has most recently been exhibited at Super Dakota in Brussels (08 January 2020 until 21 February 2020) with the exhibition Maison Dakota (vol.2). Yuri Pattison's other most recent exhibitions recorded on Artland include the exhibitions at; Labor in Mexico City (28 June 2019 - 15 August 2019) with the name crisis cast and Carl Kostyál in Malmo (06 December 2017 - 11 January 2018) with the name How It’s Made. Yuri Pattison's first recorded exhibition in Artland's database was called How It’s Made and took place at Carl Kostyál in Malmo, Sweden from the 06 December 2017 to 11 January 2018.
Further Biographical Context for Yuri Pattison
Yuri Pattison was born in 1986 and was largely inspired creatively by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a diverse collective of practitioners. Many of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most renowned member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an outlook that was rebellious yet enterprising. Due to the high amount of media coverage that they garnered, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this idea.