1971 · Denmark
Trine Panum is seen as an established mid-career artist, who was born and brought up in Denmark. Trine Panum was born in 1971. Born in the same country and of the same generation are Jeppe Hein and Jesper Just.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This responsiveness is often combined with the Nordic attributes of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Renowned for his melancholic and extremely sparse interiors, Hammershøi's reputation was founded on his exquisite representations of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's vivid colours and vibrant childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Trine Panum
Trine Panum was born in 1971 and was predominantly influenced creatively by the 1990s growing up. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most famous member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a controversial reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a central idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this idea.