1948 · Cuba
Tomás Sánchez is an established contemporary artist, who was born and brought up in Cuba, like other renowned artists such as Rafael Zarza, Tania Bruguera, Mario Algaze, Diango Hernández, and Glauber Ballestero. Tomás Sánchez was born in 1948.
Further Biographical Context for Tomás Sánchez
Born in 1948, Tomás Sánchez' creative work was predominantly inspired by the 1960s. In the art world, a multitude of significant changes were also taking place. Pop Art, embodying the culture of mass media through the works of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the foundations on which the creation and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical features – aspiring to pure visual responses. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly gathering polished, clean lines and geometrical elements. The very first blossoming of Conceptualism was highly influenced by the purity of Minimalism but went further in denying all pre-existing conceptions inherent to art, similarly to what Pop Artists were trying to achieve by elevating popular culture to the status of high art. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the anguish often linked to the human condition. worldwide, an important number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.