1951 · United States
Susan York is an established contemporary artist, who originates from the United States. Susan York was born in 1951. Born in the same country and around the same year are Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Galleries and Exhibitions
Two galleries around the world represent and exhibit Susan York's work, which are E3 arte contemporanea in Brescia, Italy and Galerie Wenger in Zurich, Switzerland. Susan York's work has most recently been displayed during the exhibition SCHWARZ / WEISS at Galerie Wenger in Zurich, Switzerland. The exhibition was open from 22 March 2019 until 03 May 2019.
Historical Context of United States
The US, especially New York city, endures as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly influential art hub emerged in the post war era, and the city thrived in affirming its dominance over Paris, which used to be regarded as the most powerful global art capital. The authority of the political and economic institutions of the United States in the modern sphere has granted the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that blossomed in the United States. These very movements also echoed into a multitude of variations, such as alternative forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Susan York
Susan York was born in 1951 and was largely influenced by the 1970s growing up. The art sphere of the 1970s was epitomized by a longing to evolve and strengthen itself, as a response to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative journey of Process art materialized by combining essential elements of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism bounced from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its prominence, especially in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York persisted as the most prominent artistic hub of the decade, with global artists wandering through the downtown scene, visiting bars and art galleries, consolidating the idea of New York City as a cosmopolitan and sophisticated cultural capital. Artists such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto attained worldwide success, as they were widely accepted as renowned members of the Italian movement Arte Povera, critically acclaimed in the 1970s.