1949 · United States
Steve Fitch is regarded as a well established artist, who was born and brought up in the United States. Steve Fitch was born in 1949. Born in the same country and around the same year are Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.
Galleries and Exhibitions
Steve Fitch is represented by two galleries, Kopeikin Gallery and Robert Koch Gallery in San Francisco, the United States and the United States respectively. Steve Fitch most recent exhibition recorded on Artland was at Kopeikin Gallery in Los Angeles with the exhibition Vanishing Vernacular. The exhibition was open from 14 July 2018 until 25 August 2018.
Historical Context of United States
The United States has been key in the evolution of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural status of New York assumed primacy over Paris, previously thought of as the most important art centre internationally. Major art movements developed and cultivated in significant ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many types. In the modern and contemporary sphere, the United States has exercised a powerful influence upon the visual culture of the World, due to the authority of its economic and political institutions. Key examples of critically acclaimed U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Steve Fitch
Born in 1949, Steve Fitch's creative work was largely inspired by the 1960s. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were blossoming. Minimalism established the central idea that art should subsist in its own reality, and not try to represent the physical world. Born of a desire to erase all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental philosophies of Abstract Expressionism, while getting rid of the expressive and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different areas or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Across Europe, the philosophy of Existentialism deeply influenced artists like Francis Bacon and Alberto Giacometti, who sought to depict the raw human emotions often associated with reflections on death and the haunting angst of the meaninglessness of life.