1950 · United States
Rebecca Goyette is seen as an established contemporary artist, who was born in the United States. Rebecca Goyette was born in 1950. Born in the same country and of the same generation are Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.
Galleries and Exhibitions
Rebecca Goyette is represented and exhibited by two galleries, which are Freight + Volume and Interstate Projects in New York, the United States. Rebecca Goyette's work are currently exhibiting at Freight + Volume in New York with the exhibition Pungent Dystopia (19 March 2020 - 19 April 2020).
Historical Context of United States
The United States, especially New York city, remains as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The idea of New York as a new cosmopolitan and highly powerful art hub came to be in the post war era, and the city thrived in affirming its supremacy over Paris, which used to be regarded as the most powerful global art capital. The authority of the political and economic institutions of the United States in the modern sphere has granted the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that flourished in the United States. These very movements also reverberated into a myriad of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Rebecca Goyette
Born in 1950, Rebecca Goyette's creative work was predominantly inspired by the 1970s. The art sphere of the 1970s was characterized by a wish to evolve and reinforce itself, as a reaction to the many tensions of the previous decade. One of the most important movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative voyage of Process art emerged by combining essential elements of Conceptualism with further considerations on art itself. The initial ideas of environmentalism sprung from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its prominence, predominantly in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York remained as the most prominent artistic hub of the decade, with global artists drifting through the downtown scene, frequenting bars and art galleries, consolidating the idea of New York City as a cosmopolitan and refined cultural capital. Reaching the end of the 1970s, street art, emerging from graffiti, was starting to truly fascinate the fine art community. Keith Haring and Jean-Michel Basquiat helped legitimize spray painting and tagging, demonstrating that their artworks could exist at the same time in art galleries and in urban settings. Following, the global extent of street art would become extremely significant, representing an astonishing form of artistic expression.