1958 · Netherlands
Pia Sprong is a contemporary artist considered well established, who was born and brought up in the Netherlands, like other well-known artists such as Theodoor Beckers, Constant Dullaart, Levi Van Veluw, Erik Van Der Weijde, and Ab Van Hanegem. Pia Sprong was born in 1958.
Pia Sprong most recent exhibition recorded on Artland was at Galerie Phoebus in Rotterdam (14 September 2019 until 05 October 2019) with the exhibition Group Exhibition. Pia Sprong's only other exhibition is Ladekastproject, which took place at Galerie Phoebus in Rotterdam, the Netherlands (18 May 2019 - 06 July 2019).
Historical Context of Netherlands
The Netherlands has a strong heritage for art and design in the twentieth century culture, although its position as a cultural powerhouse had been long established, centuries before the fifteenth century, when artists like Jan van Eyck were among the most well-known in the world. The Dutch Golden Age of the 1600s brought such luminaries as Rembrandt, Rubens, Vermeer, Van Dyck and Van Ruisdael. Willem de Kooning is also Dutch, although he emigrated to the United States in his youth and his work is most closely related to the New York City Abstract Expressionist scene of the late 1940s and 1950s.
Further Biographical Context for Pia Sprong
Born in 1958, Pia Sprong was primarily inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and fame, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding conventional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unaltered intact.