1950 · Switzerland
Peter Roesch is seen as an established contemporary artist, who originates from Switzerland, like other renowned artists such as Vincent Kriste, Dimitri Horta, Augusto Giacometti, Hans Jorg Glattfelder, and Stéphane Dafflon. Peter Roesch was born in 1950.
Galleries and Exhibitions
Peter Roesch's work is available on display in Galerie & Edition Marlene Frei in Zurich, Switzerland and Galerie aKonzept in Berlin, Germany. Peter Roesch's work has most recently been displayed during the exhibition Solo show at Galerie & Edition Marlene Frei in Zurich, Switzerland. The exhibition was open from 22 August 2017 until 13 October 2017.
Historical Context of Switzerland
Perhaps the most important Swiss contribution to the unravelling of Modernism was the establishment of the Dada movement in Zurich in 1916. Its founding members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly evolved into an significant centre of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a shelter from political instability elsewhere in Europe. Beforehand, Switzerland had originated some quirky and distinctive artists in the Post-Impressionist span of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another major movement that can be attributed to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier may have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were executed in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for affluent local clients. Key Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Peter Roesch
Peter Roesch was born in 1950 and was largely influenced creatively by the 1960s. Artistically, the decade began with the twin movements of Pop and Minimalism emerging alongside each other. On one hand, Pop espoused the visual culture of the mainstream and mass media, and of products and consumerism. Artwork by artists like Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the rapidly developing Capitalism of the United States, taking things like advertising, comic books and ideas surrounding celebrity culture as their primary visual cues. A parallel movement developed on the West Coast in California - a strain that also related to language in art, and is viewed as the initial flowerings of conceptual art. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key components of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but reduced much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Around the world a number of artistic movements resonated the creative concerns of the above mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.