1959 · United States
Peter Gallo is an established contemporary artist, who originates from the United States. Peter Gallo was born in 1959. Artists Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons are of the same generation and same country as Peter Gallo.
Galleries and Exhibitions
Peter Gallo's work is available for viewing at Anthony Reynolds Gallery located in London, the United Kingdom. Peter Gallo's work are currently exhibiting at Freight + Volume in New York with the exhibition Pungent Dystopia (19 March 2020 - 19 April 2020). Peter Gallo's other most recent exhibitions recorded on Artland include the exhibitions; Red Telephone (10 January 2020 - 15 February 2020) at Fierman in New York and Cupping the Counter, organized by Keith J. Varadi (30 June 2018 - 29 July 2018) at Motel in New York.
Historical Context of United States
The United States has been a prominent country in the development of modern and contemporary art in the twentieth century, particularly in the post war period, when the cultural status of New York asserted its influence over Paris, previously thought of as the most important art centre internationally. Major art movements established and cultivated in extensive ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern echoes of these many types. In the modern and contemporary sphere, the United States has exercised a prevailing influence over the global visual culture, due to the authority of its economic and political structures. Key examples of important U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Peter Gallo
Born in 1959, Peter Gallo was predominantly inspired by the 1970s. The art sphere of the 1970s was epitomized by a wish to grow and reinforce itself, as a response to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative journey of Process art materialized by combining essential aspects of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism sprung from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its prominence, particularly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the dominant artistic figures of the 1960s remained greatly influential and popular throughout the 1970s. Andy Warhol, for example, secured his status as a legendary artist, by branching out into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such fame. In the eastern part of the globe, Japanese and Korean artists who held a strong interest in the European philosophy of phenomenology, associated with the Mono-Ha movement, exploring and shifting the boundaries between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to create life to artworks that would accentuate the ephemeral state of these various elements and their surroundings, playing with their interdependency.