Owen Morrel is regarded as a well established artist. Owen Morrel was born in 1947. Artists born in the same year and of the same generation are Antoinette Leroy, Gabriele Günther, Paul Harbutt, Faisal Laibi, and Patsy Hely.
Further Biographical Context for Owen Morrel
Born in 1947, Owen Morrel was predominantly influenced by the 1960s growing up. The 1960s were an explosive decade internationally, witnessing a proliferation of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the 20th century, and was epitomised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place across the globe. Psychedelia, an massive increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key elements of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive philosophies of Abstract Expressionism, but reduced much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, a number of artistic movements resonated the artistic concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for creatives, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their distinguishing approaches to the human form and the anguish related to the human condition.