1986 · Netherlands
Marloes is seen as an emerging contemporary artist, who originates from the Netherlands, like other prominent artists such as Joep Van Lieshout, Marc Truijen, Lidy Jacobs, Arnold Wisselink, and Martin Effert. Marloes was born in 1986.
Marloes in private collections
Historical Context of Netherlands
The Netherlands has a solid heritage for art and design in the twentieth century culture, although its position as a cultural powerhouse had been long established, centuries before the fifteenth century, when artists like Jan van Eyck were among the most famous in the world. The Dutch Golden Age of the 1600s brought such luminaries as Rembrandt, Rubens, Vermeer, Van Dyck and Van Ruisdael. Willem de Kooning is also Dutch, although he emigrated to the United States in his youth and his work is most closely related to the New York City Abstract Expressionist era of the late 1940s and 1950s.
Further Biographical Context for Marloes
Marloes was born in 1986 and was largely influenced by the 1990s. A group of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied collective of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most well known member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an outlook that was defiant yet entrepreneurial. Due to the high amount of media coverage that they received, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. The art world was influenced by a number of trends throughout the decade, and was characterised by the derisive sculpture of Maurizio Cattelan, and sensitive, conceptual advancements as represented in the work of artists including Felix Gonzalez-Torres.