1956 · Italy
Marco Tirelli is an established contemporary visual artist, who was born and brought up in Italy, like other renowned artists such as Giuliano Ghelli, Paolo Cavinato, Enrico Iuliano, Gambone Bruno, and Santi Alleruzzo. Marco Tirelli was born in 1956.
Marco Tirelli's work is available on display in multiple galleries around the globe such as in Belgium and Italy. The galleries exhibiting Marco Tirelli's work include Axel Vervoordt Gallery in Wevelgem, Studio Trisorio Napoli in Naples, and OTTO in Bologna.
Historical Context of Italy
The classical period of the Romans has exerted a significant influence on the cultural and intellectual development of Italy, contributing to the uniqueness of the country and its splendid artistic legacy. Italy is also the country that embodies the Renaissance, “Riniscita” in its original language, which signifies “rebirth”. From the early 1400s, the Renaissance has been an intense era of cultural and political awakenings, inducing revivals in art, architecture, music, poetry and philosophy. Although greatly tormented by the fascism of Mussolini in the modern and contemporary era, Italy has never lost its place as one of the most fundamental artistic centres, home to pioneering movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly eminent Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Marco Tirelli
Marco Tirelli was born in 1956 and was predominantly inspired by the 1970s growing up. The 1970s were a period of consolidation and development in the arts, most often characterised as a response to the dominant strains of the preceding decade. Conceptual art emerged as a influential movement, a partial evolution of and response to minimalism. Land Art took the works of art into the extensive outdoors, taking creative production away from commodities and looking to engage with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating mysterious and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly renowned figures worldwide. Many of the artists who became so famous and successful in the 1960s remained leading figures. For example, Andy Warhol branched out into film and magazine publishing, the first type of cross cultural activity for a visual artist. This secured his reputation as a major international celebrity in his own right. International movements began to gain popularity included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed significant commercial and critical achievements. For the first time painters and sculptors from Latin America were embraced by the leading critical and institutional levers in New York.