1981 · France
Louise Hervé is a mid-career contemporary visual artist, who was born in France, like other famous artists such as Anne Cindric, Nathalie Van Doxell, Andre Derain, Rodolf Hervé, and Mathieu Pernot. Louise Hervé was born in 1981.
Galleries and Exhibitions
Louise Hervé is represented and exhibited by Marcelle Alix in Paris, France. Louise Hervé's work has most recently been exhibited at Marcelle Alix in Paris (29 October 2019 until 20 December 2019) with the exhibition Marcelle Alix ouverte.
Historical Context of France
France has been a significant country in the unfolding of modernism. Throughout the nineteenth century, France established the foundations of what is currently known as the avant-garde, with movements such as Impressionism, Post-Impressionism and Art Nouveau, led by critically acclaimed artists. During the first part of the 20th century, Paris was an essential intellectual and cultural hub, contributing cutting-edge movements such as Cubism, Fauvism, Dadaism and Surrealism, amongst others. These movements flourished at the beginning of the century, in the period immediately preceding the Second World War. Dominant French artistic figures from the beginning of the century include Paul Cezanne, Pablo Picasso, Georges Braque (Spanish national who settled in France) Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier amidst many of others.
Further Biographical Context for Louise Hervé
Born in 1981, Louise Hervé was largely inspired by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a diverse group of practitioners. Many of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most famous member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an attitude that was rebellious yet commercial. Due to the high amount of media coverage that they received, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of creating art based on human relations and their social context, became a key idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this outline.
- Galleries Representing this Artist