1983 · Russian Federation
Lana Zamay is an established mid-career contemporary artist, who was born in Russian Federation - other established artists such as Olga Kisseleva, Krasil Makar, Aes+F (Evgeny Svyatsky), Ksenia Senkevich, and Mstislav Dobuzhinsky were also born in Russian Federation. Lana Zamay was born in 1983.
About Lana Zamay's works
Lana Zamay's work is characteristic of the fields of Abstraction and Expressionism. Abstraction, in essence terms, means distancing or suppressing one thing from another. When it comes to the visual arts, it can be understood as creating an artwork which distances itself from a true representational reference point. The movement was born in the early 20th century, and can be seen as an attempt to release the artist’s creative energy, through freedom and constant self-renewal. In abstract artworks, the object is simplified, with the use of colours and textures, thus creating a fundamentally new perception of reality. Abstract art can be traced back to Impressionism, and paved the way for a significant number of movements, including Cubism, Surrealism, or Abstract Expressionism, which is still considered to be one the most powerful contemporary art movements. Some critically acclaimed artists renowned for their contribution to Abstraction include Wassily Kandinsky, Jackson Pollock, or Pablo Picasso.
While Expressionism is usually more evocative of an international trend rather than a consistent art movement, its essence can be understood as a desire from the artists to define and express their emotions, rather than just depict a representation of reality. In Expressionist paintings, the brushwork is often liberated and uncontrolled, as to transpire the artist’s inner emotions, while a focus is put on textures and intense colours come into play, thus allowing art to be rewritten and convey the message the expressionist artist is trying to deliver. Edvard Munch’s painting The Scream is highly representative of Expressionism, as it powerfully illustrates the artist’s feeling of deep torment and alienation.
Further Biographical Context for Lana Zamay
Lana Zamay was born in 1983 and was primarily influenced by the 1990s. In the United Kingdom, a group of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, connected generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of the group is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a controversial reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this agenda.