1952 · Denmark
Klaus Bahnsen is an established contemporary visual artist, who originates from Denmark. Klaus Bahnsen was born in 1952. Born in the same country and around the same year are Eva Koch and Lise Malinovsky.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This sensibility is often combined with the Nordic attributes of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated a key painter of Post-Impressionism, Vilhelm Hammershøi. Renowned for his melancholic and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a key country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Klaus Bahnsen
Klaus Bahnsen was born in 1952 and was predominantly inspired creatively by the 1970s. The art sphere of the 1970s was epitomized by a desire to grow and strengthen itself, as a response to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative voyage of Process art materialized by combining essential elements of Conceptualism with further reflections on art itself. The initial ideas of environmentalism sprung from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its status, particularly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York persisted as the most prominent artistic hub of the decade, with international artists drifting through the downtown scene, visiting bars and art galleries, consolidating the idea of New York City as a cosmopolitan and sophisticated cultural capital. Reaching the end of the 1970s, street art, developing from graffiti, was starting to truly mesmerize the fine art community. Keith Haring and Jean-Michel Basquiat helped legitimize spray painting and tagging, demonstrating that their artworks could exist at the same time in art galleries and in urban settings. Following, the international reach of street art would become extremely significant, representing an extraordinary form of artistic expression.