Joe Neave

1974 · United Kingdom

Artist biography

Joe Neave is an established, mid-career contemporary artist, who was born in the United Kingdom. Joe Neave was born in 1974. Artists Banksy, Idris Khan and Annie Morris are of the same generation and same country as Joe Neave.

Joe Neave's Gallery representation

Joe Neave is represented and exhibited by Galerie Warhus Rittershaus in Cologne, Germany.

Historical Context of United Kingdom

Through colonisation and the resulting ascent of its Empire, the United Kingdom reached the status of a giant, although the wealth and economic power did not shelter it from the apparent cultural authority of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a rather significant extent eclipsed by their respective impact on the art of the modern period. But it is towards the end of the nineteenth century that it truly became an essential and vital agent in the development of the avant-garde, through radical and progressive trends such at the Arts and Crafts Movement, which would become essential to the further development of bohemian artists movements or other artist-led organisation of the twentieth century. Vorticism is a significant movement, fundamentally distinctive of British modernism, it involved artists renowned for their affiliation to the Bloomsbury group. A few critically significant British artists of the modern and contemporary period include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.

Further Biographical Context for Joe Neave

Born in 1974, Joe Neave was primarily inspired by the 1990s. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse group of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained a large amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. A proliferation of trends characterised the decade, including the highly derisive sculpture of Maurizio Cattelan, and extremely sensitive advancements of conceptualism as evidenced by the work of artists like Felix Gonzalez-Torres.

Joe Neave

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