1958 · Czech Republic
Jitka Hanzlová is seen as an established contemporary artist, who originates from Czech Republic, like other well-known artists such as Luboš Plný, Eva Koťátková, Viktor Kolár, Josef Koudelka, and Ivan Jelinek. Jitka Hanzlová was born in 1958.
Galleries and Exhibitions
Two galleries around the world represent and exhibit Jitka Hanzlová's work. These are Georg Kargl Fine Arts in Vienna, Austria and Galleria Raffaella Cortese in Milan, Italy. Jitka Hanzlová's work has most recently been exhibited at Georg Kargl Fine Arts in Vienna (27 June 2019 until 30 August 2019) with the exhibition Nature as Culture, Culture as Nature. Jitka Hanzlová's only other exhibition is VIENNA TRANSIT, which took place at Georg Kargl Fine Arts in Vienna, Austria (14 September 2018 - 03 November 2018).
Jitka Hanzlová in private collections
It is the collector Robert Mollers, who is in possession of work by Jitka Hanzlová at Artland. Robert Mollers also has works by other artists including Liam Fallon, Marie Kølbæk Iversen, and Hur Kyung-Ae.
Further Biographical Context for Jitka Hanzlová
Born in 1958, Jitka Hanzlová's creative work was predominantly influenced by the 1970s. The 1970s were a period of consolidation and progress in the arts, most often defined as a response to the central tensions of the previous decade. Conceptual art emerged as a influential movement, a partial evolution of and response to minimalism. Land Art took the artwork into the extensive outdoors, taking creative production away from commodities and looking to engage with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating cryptic and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly powerful figures worldwide. Many of the artists who became so famous and successful in the 1960s remained dominant figures. For example, Andy Warhol branched out into film and magazine publishing, the first kind of pan cultural activity for a visual artist. This secured his reputation as a major international celebrity in his own right. n Japan and Korea, artists associated with the Mono-Ha movement explored on encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, arranging them in mostly unaltered, fleeting conditions. The works focused on the interplay between these various elements and the surrounding space, and had a strong interest in the European ideas of phenomenology.