1946 - 2015
Jerry Carniglia was an artist, Jerry Carniglia, born in 1946, died in 2015. Artists born in the same year and of the same generation are Giancarlo Caporicci, George Siejka, Demetrio Alfonso, Yuri Dojc, and Con Campbell.
Further Biographical Context for Jerry Carniglia
Jerry Carniglia was born in 1946 and was largely inspired creatively by the 1960s. The 1960s were a sensational decade internationally, witnessing a great increase of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an enormous increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key constituents of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive notions of Abstract Expressionism, but stripped away much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Around the world a number of artistic movements resonated the artistic concerns of the previously mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the angst related to the human condition.