Jean-Léon Desmet was a creative visual artist. Jean-Léon Desmet was born in 1943. Artists Emili Armengol, Marija Danute Jukniute Bzeskiene, Dong Dan, Colette Bisson, and Gerda Bier are of the same generation.
Further Biographical Context for Jean-Léon Desmet
Born in 1943, Jean-Léon Desmet grew up during the 1960s and was inspired by the artistic culture of the time. The 1960s were an explosive decade internationally, bearing witness to great increase of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the twentieth century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place across the globe. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key elements of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Globally, a number of artistic movements resonated the creative concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.