Further Biographical Context for Jared Bark
Jared Bark was born in 1944 and was primarily influenced by the 1960s. The 1960s were a sensational decade internationally, witnessing a great increase of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the twentieth century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place across the globe. Psychedelia, an massive increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key components of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive notions of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, a number of artistic movements echoed the artistic concerns of the above mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their distinctive approaches to the human form and the angst related to the human condition.