Jack Martin Rogers
1943 - 2001 · United Kingdom
Jack Martin Rogers was a creative artist, who was born in the United Kingdom. Born in 1943, Jack Martin Rogers passed away in 2001. Some of the artist's contemporaries that are born around the same year and in the same country include Maggi Hambling, Richard Cook and Phyllida Barlow.
About Jack Martin Rogers' works
Jack Martin Rogers' work is characteristic of the fields of Figuration and Abstraction. Often perceived as the opposite of abstraction, figurative art also subsists beyond just a simple depiction of reality. Although it essentially means the ability to represent a real-world subject, the style, approaches and mediums that can be chosen by the artist are endless, which gives figurative art the power to be truly innovative and radical. Some glorious examples of figurative art include Henri Matisse’s sculpture The Serf, or Pablo Picasso’s painting Les Demoiselles D’Avignon.
Abstract art does not try to represent a faithful depiction of a visual reality, or of nature itself, but instead, with the use of colours, gestural elements and shapes tries to achieve its effect. The term can be applied to art that is primarily based on an object, or figure, where the main elements have been simplified. Abstraction has been highly significant in modern art since the 1900s, with its origins grounded in Impressionism. One of the first, most influential movements related to abstraction is Cubism, with artists such as Pablo Picasso and Georges Braque, who through their work laid the foundations for a significant number of branches of abstract art.
Jack Martin Rogers' Gallery representation
Jack Martin Rogers' work is represented and exhibited by Anita Rogers Gallery in New York, the United States.
Currently on Artland, two of Jack Martin Rogers' works are available to purchase.
Historical Context of United Kingdom
Through colonisation and the resulting rise of its Empire, the United Kingdom reached the status of a giant, although the prosperity and economic power did not shelter it from the obvious cultural supremacy of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a rather significant extent eclipsed by their respective influence on the art of the modern world. But it is towards the end of the nineteenth century that it truly became an essential and vital agent in the development of the avant-garde, through major and progressive trends such at the Arts and Crafts Movement, which would become fundamental to the further development of bohemian artists movements or other artist-led guilds of the twentieth century. Vorticism is a significant movement, essentially distinctive of British modernism, it involved artists known for their association to the Bloomsbury group. A few critically significant British artists of the modern and contemporary era include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Jack Martin Rogers
Jack Martin Rogers was born in 1943 and was largely influenced creatively by the 1960s. In the art world, a multitude of powerful changes were also taking place. Pop Art, embodying the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the foundations on which the production and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a revolutionary movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical features – aiming for pure visual responses. Historically set in the context of the Cold War, the 1960s epitomize an extremely powerful era which engendered a significant number of breaks and questioned the order of all things. In Europe, The Iron Curtain and the Berlin wall would eternally mark people and beliefs, while in the U.S, events such as the Cuban missile crisis and Vietnam war would forever impact generations to come. From education to gender issues and ideologies, a re-definition of social standards in Western society developed, with revolutionary philosophies and movements evolving in a cradle of innovation. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, embodied by artists such as Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly gathering polished, clean lines and geometrical elements. The very first flourishing of Conceptualism was significantly influenced by the purity of Minimalism but went further in rejecting all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to attain, by uplifting popular culture to the status of high art. Delving further into some of the ideas inherent to Abstract Expressionism, artists like Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – strongly relating to Minimalism, with an essentially ruled-based approach, devoid of any emotional features. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideas of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often associated with the human condition. globally, a significant number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group embraced similar ideas under the leadership of Günther Uecker.
- Galleries Representing this Artist