1982 · France
Isidore Hibou is an established mid-career artist, who originates from France, like other famous artists such as Nadar (Gaspard-Félix Tournachon), Véronikah, Laurent Saksik, Aubertin Bernard, and Gilles Caron. Isidore Hibou was born in 1982.
Historical Context of France
France has been an influential nation in the unfolding of modernism. During the nineteenth century, France established the foundations of what is today known as the avant-garde, with movements such as Impressionism, Post-Impressionism and Art Nouveau, led by critically acclaimed artists. In the first half of the twentieth century, Paris was a crucial intellectual and cultural centre, originating vital movements such as Cubism, Fauvism, Dadaism and Surrealism, amongst others. These movements emerged at the beginning of the century, in the period immediately preceding the Second World War. Major French creative figures from the beginning of the century include Paul Cezanne, Pablo Picasso, Georges Braque (Spanish national who settled in France) Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier amongst a multitude of others.
Further Biographical Context for Isidore Hibou
Born in 1982, Isidore Hibou's creative work was predominantly inspired by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse group of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most famous artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became famous for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a core idea. It was a term created by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this outline.