1955 · Denmark
Helle Groth is an established contemporary visual artist, who was born in Denmark. Helle Groth was born in 1955. Some of the artist's contemporaries that are born around the same year and in the same country include Eva Koch and Lise Malinovsky.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, which borders its southern limits. This sensibility is often mixed with the Nordic attributes of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Acclaimed for his melancholic and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal representations of light and shadow in modest, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's bright colours and lively childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Helle Groth
Born in 1955, Helle Groth grew up during the 1970s and was influenced by the artistic atmosphere of the time. The art sphere of the 1970s was epitomized by a longing to evolve and reinforce itself, as a response to the many tensions of the previous decade. One of the most important movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative journey of Process art materialized by combining essential elements of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism bounced from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its prominence, particularly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the leading artistic figures of the 1960s remained greatly influential and admired throughout the 1970s. Andy Warhol, for instance, secured his status as a legendary artist, by bifurcating into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such popularity In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European philosophy of phenomenology, associated with the Mono-Ha movement, exploring and shifting the frontiers between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to create life to artworks that would accentuate the ephemeral state of these various elements and their surroundings, playing with their interdependency.