Hans Pauli Olsen
1958 · Denmark
Hans Pauli Olsen is seen as an established artist, who was born and brought up in Denmark. Hans Pauli Olsen was born in 1958. Also born in Denmark around 1958 and of the same generation are Eva Koch and Lise Malinovsky.
Hans Pauli Olsen in private collections
It is the collector Meduna Dalsgaad, who is in possession of art by Hans Pauli Olsen at Artland. Meduna Dalsgaad also has works by other artists including Bruno Augsburger, Ali Hasanov, and Won Sou-Yeol.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This sensibility is often combined with the Nordic attributes of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced a key painter of Post-Impressionism, Vilhelm Hammershøi. Renowned for his melancholic and extremely sparse interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in modest, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Hans Pauli Olsen
Born in 1958, Hans Pauli Olsen was primarily inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to progress and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, highlighting some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic heart of the era. All over, numerous movements defined the 1970s. Amongst others, feminism and the innovative radical philosophies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also received critical and commercial success. The critical, leading artistic figures of New York city started to embrace painters and sculptors from Latin America.