1958 · Spain
Galleries and Exhibitions
Eugenio Ampudia's work is available for viewing at Max Estrella Galería de Arte in Madrid, Spain. Eugenio Ampudia most recent exhibition recorded on Artland was at Galería Fernando Pradilla in Madrid (20 December 2018 until 16 February 2019) with the exhibition TRANSATLÁNTICA.
Historical Context of Spain
Spain has played a crucial role in the development of art in the twentieth century. In the early 1900s, a young Pablo Picasso established a distinctively expressive approach to figuration in the post-Impressionist era, initially with his Blue then Rose periods, although he was to settle in Paris in 1904. Picasso was also the central founding member of the Cubist movement, a group in which he was joined by fellow Spaniard Juan Gris. Both Salvador Dali and Joan Miro were leading figures in the Surrealist movement, though they were also lived in France for large parts of their careers. During the twentieth century the political and cultural landscape of Spain was dominated by the totalitarian autocracy of General Franco whose dictatorship ruled the country, in one form or another, from 1939 until 1975, at which time the monarchy was restored to Juan-Carlos I who then implemented considerable reform. The Franco regime was noted for its brutal anti-communist stance, and the departure of important intellectual and cultural figures that chose not to live under an oppressive regime. The cultural life of the avant-garde suffered greatly, since liberal artistic movements are often noted for their leftist leanings. Important modern and contemporary Spanish artists include Antoni Tapíes, Eduardo Chillida, Eduardo Arroyo, and Manolo Valdes.
Further Biographical Context for Eugenio Ampudia
Eugenio Ampudia was born in 1958 and was largely influenced creatively by the 1970s. The 1970s were a period of consolidation and development in the arts, most often defined as a response to the dominant stresses of the preceding decade. Conceptual art developed as a key movement, a partial evolution of and response to minimalism. Land Art took the works of art into the expansive outdoors, taking creative production away from commodities and looking to engage with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating mysterious and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly powerful figures worldwide. New York maintained an important position in the international art world, ensuring that global artists continued to flock to the galleries, bars and downtown scene in the city. n Japan and Korea, artists associated with the Mono-Ha movement explored on encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, arranging them in mostly unchanged, ephemeral conditions. The works focused on the interplay between these various elements and the surrounding space, and had a strong interest in the European philosophy of phenomenology.
- Galleries Representing this Artist