1972 · France
Eric Benetto is a mid-career established artist, who originates from France, like other famous artists such as Jacques Grinberg, We Are The Painters, Simon Boudvin, Maurice Guiraud-Rivière, and Constance Nouvel. Eric Benetto was born in 1972.
Historical Context of France
France strikes out as one of the most influential agents of modernism. What is today known as the avant-garde was pioneered in the first half of the nineteenth century, and embraced innovative and cutting-edge movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art world. Critically praised and dominant French artists from the early years of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he initially was a Spanish national who relocated in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was considered to be the most influential and intellectual artistic centre at the onset of the century and contributed to the development of such fundamental movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which flourished in the post war era.
Further Biographical Context for Eric Benetto
Eric Benetto was born in 1972 and was predominantly inspired creatively by the 1990s. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a diverse collective of practitioners. Many of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most famous member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became known for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an outlook that was defiant yet enterprising. Due to the high amount of media coverage that they received, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of creating art based on human relations and their social context, became a key idea in the 1990s. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this outline.