1972 · Switzerland
Emmanuelle Antille is seen as an established mid-career artist, who originates from Switzerland, like other prominent artists such as Carmen D´Apollonio, Markus Müller, Bernard Guillot, Rik Beemsterboer, and Paolo Pola. Emmanuelle Antille was born in 1972.
Historical Context of Switzerland
Perhaps the most significant Swiss contribution to the unravelling of Modernism was the formation of the Dada movement in Zurich in 1916. Its founding members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly metamorphosed into an prominent hub of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a haven from political uncertainty elsewhere in Europe. precedingly, Switzerland had originated some quirky and distinctive artists in the Post-Impressionist span of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another essential movement that can be connected to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier may have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were realized in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for wealthy local clients. Important Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Emmanuelle Antille
Emmanuelle Antille was born in 1972 and was largely influenced by the 1990s. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became noted for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved a large amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. A proliferation of trends characterised the decade, including the highly irreverent sculpture of Maurizio Cattelan, and extremely sensitive advancements of conceptualism as shown in the work of artists like Felix Gonzalez-Torres.