1972 · France
Emmanuel Lagarrigue is seen as an established mid-career artist, who originates from France, like other celebrated artists such as Roxane Borujerdi, Cécile Reims, Fernanad Leger, Aurélie Quentin, and Thierry Geoffroy. Emmanuel Lagarrigue was born in 1972.
Emmanuel Lagarrigue's Gallery representation
Emmanuel Lagarrigue's work is on display at Galerie Sultana located in Paris, France.
Historical Context of France
France strikes out as one of the most influential agents of modernism. What is today referred to as the avant-garde was pioneered in the first half of the nineteenth century, and involved progressive and cutting-edge movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art sphere. Critically praised and leading French artists from the early years of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he originally was a Spanish national who settled in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was thought to be the most influential and intellectual artistic centre at the onset of the century and supported the development of such vital movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which flourished in the post war era.
Further Biographical Context for Emmanuel Lagarrigue
Emmanuel Lagarrigue was born in 1972, grew up during the 1990s and was influenced by the artistic atmosphere of the time. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of artists, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became noted for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved a large amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a key idea. It was a term created by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this idea.
- Galleries Representing this Artist