1908 · United States
Don Freeman is a contemporary artist considered well established, who was born and brought up in the United States. Don Freeman was born in 1908. Born in the same country and of the same generation are Franz Kline, Walker Evans, Lee Krasner, Willem de Kooning and Arshile Gorky.
Don Freeman's Gallery representation
Don Freeman's work is available for viewing at Carter Lane Gallery located in London, the United Kingdom.
Historical Context of United States
The United States, in particular New York city, endures as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly powerful art centre appeared in the post war era, and the city thrived in asserting its supremacy over Paris, which used to be regarded as the most powerful international art centre. The predominance of the political and economic structures of the United States in the modern era has provided the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that emerged in the US. These very movements also reverberated into a myriad of variations, such as alternative forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally acclaimed U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Don Freeman
Don Freeman was born in 1908 and was primarily influenced creatively by the 1920s. The 1920s and 1930s saw continued development and evolution of the key innovations of the primary years of the twentieth century. To have these years as the formative period for an artist was to be surrounded by innovative practitioners of the visual arts. It was also a time of recovery and introspection after the horrors of the First World War, which saw significant shifts in the political world. Marxism was a predominant political ideology which was also enormously influential amid artists and their communities. The Bauhaus was founded in 1919, and became an essential place surrounding notions in favour of the unification of art, craft and design disciplines – an idea that became known as the Gesamtkunstwerk. Surrealism came to be the central expressive mode of the 1920s, and was aided by the liberalism of Germany’s Weimar Republic, which was an environment that allowed for remarkable creative developments.