1973 · Netherlands
Dieuwke Spaans is an established mid-career contemporary artist, who originates from the Netherlands, like other celebrated artists such as Ron Van Dongen, Roel Van Der Linden, Koos Breukel, J.Art, and Herman Berserik. Dieuwke Spaans was born in 1973.
Historical Context of Netherlands
In the post-Impressionist era, the dutch Vincent Van Gogh is considered among one of the most leading innovators, and is of course seen as one of the greatest painters of all time, regardless of the era. Willem de Kooning is also Dutch, although he emigrated to the United States at a young age and his work is most closely related to the New York City Abstract Expressionist era of the late 1940s and 1950s.
Further Biographical Context for Dieuwke Spaans
Born in 1973, Dieuwke Spaans was primarily influenced by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of artists, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became noted for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved a large amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Also gaining prominence at this time was a developing trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami was to form a powerful group called Kaikaikiki, which became internationally renowned as an artistic group.