1985 · Italy
Diego Marcon is a mid-career contemporary visual artist, who was born and brought up in Italy, like other celebrated artists such as Nicola Evangelisti, Viviana Valla, Simafra, Giulia Filippi, and Marino Boni. Diego Marcon was born in 1985.
Galleries and Exhibitions
Diego Marcon's work is available on display in Ermes-Ermes | Vienna in Austria and Ermes-Ermes | Rome in Italy. Diego Marcon is currently exhibiting at Ermes-Ermes | Vienna in Austria with the exhibition Il lenzuolo viola (23 February 2020 - 11 April 2020). Diego Marcon's work has also been exhibited during the LIVE END DREAM NO exhibition at Galerie Steinek in Vienna, Austria (15 September 2017 - 14 October 2017).
Historical Context of Italy
The classical period of the Romans has exerted a consequential influence on the cultural and intellectual evolution of Italy, contributing to the uniqueness of the country and its sumptuous artistic legacy. Italy is also the country that embodies the Renaissance, “Riniscita” in its original language, which signifies “rebirth”. From the early 1400s, the Renaissance has been an intense period of cultural and political flourishing, inducing revivals in art, architecture, music, poetry and philosophy. Although significantly affected by the fascism of Mussolini in the modern and contemporary period, Italy has never lost its place as one of the most fundamental artistic centres, home to pioneering movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly influential Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Diego Marcon
Born in 1985, Diego Marcon was primarily influenced by the 1990s. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, connected generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs garnered a divisive reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this outline.