Devin Troy Strother
1986 · United States
Devin Troy Strother is an emerging contemporary artist, who was born in the the United States, like other prominent artists such as Sonia Gechtoff, Chanel Thomas, Harry B. Lachman, Ed Walsh, and Leslie Lauderback. Devin Troy Strother was born in 1986.
Galleries and Exhibitions
Devin Troy Strother is represented by several galleries around the world, including countries like the United Kingdom, the United States, and Germany. Galleries exhibiting Devin Troy Strother 's work include Marlborough Contemporary | London in the United Kingdom, as well as Richard Heller Gallery and Marlborough Contemporary | New York in the United States. Devin Troy Strother 's work are exhibited at the exhibition, NEON at Martin Asbæk Gallery in Copenhagen, Denmark. The exhibition is currently open and closes on the 13 June 2020. Devin Troy Strother 's other most recent exhibitions listed on Artland include the exhibitions at; V1 in Denmark (28 September 2018 - 20 October 2018) with the name Wade In The Water and Shoot The Lobster | Los Angeles in the United States (17 November 2018 - 17 February 2019) with the name The Worst Witch. Devin Troy Strother 's first recorded exhibition in Artland's database was called COPING MECHANISMS and took place at Library Street Collective in Detroit, the United States from the 08 September 2018 to 13 October 2018.
Devin Troy Strother in private collections
There are two collectors in possession of artworks by Devin Troy Strother at Artland. These collectors include Tony Mangle and Jens-Peter Brask, who also has works by other artists including Sarah Derat, Shahnaz Aghayeva, and Jesús Herrera Martínez.
Historical Context of United States
The United States has been a major country in the development of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural status of New York assumed primacy over Paris, formerly thought of as the most significant art hub in the world. Leading art movements developed and cultivated in significant ways throughout the United States include Abstract Expressionism in diverse forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern repetitions of these many movements. In the modern and contemporary sphere, the United States has exercised a strong influence upon the visual culture of the World, due to the dominion of its economic and political structures. Key examples of critically acclaimed U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Devin Troy Strother
Devin Troy Strother was born in 1986 and was largely inspired by the 1990s growing up. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a divisive public image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group was predominant in the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this outline.