David Sandlin

1956 · United States

Artist biography

David Sandlin is a contemporary artist considered well established, who was born in the United States. David Sandlin was born in 1956. Some of the artist's contemporaries that are born around the same year and in the same country include Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.

Galleries and Exhibitions

David Sandlin is represented by Carl Hammer Gallery in Chicago, the United States. David Sandlin's work has most recently been exhibited at Owen James Gallery in New York (15 September 2018 until 13 October 2018) with the exhibition Age of Enfrightenment .

Historical Context of United States

The United States has been key in the development of modern and contemporary art in the twentieth century, particularly in the post war period, when the cultural status of New York assumed primacy over Paris, previously considered as the most important art hub globally. Leading art movements developed and fostered in significant ways throughout the United States include Abstract Expressionism in diverse forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many types. In the modern and contemporary sphere, the United States has cultivated a powerful influence upon the worldwide visual culture, due to the dominion of its economic and political structures. Key examples of critically acclaimed U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for David Sandlin

Born in 1956, David Sandlin was largely inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to progress and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, featuring some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The majority of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. Street art started to appear as a true and recognized form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in proving that their artworks could subsist at the same time in art galleries and in urban settings. Driven by graffiti art, street art from its earliest days showed that it could endure in a unceasing flux of self-transformation, eternally shifting the boundaries of modern art, becoming a truly ground-breaking artistic genre.

David Sandlin

  • Exhibitions 1

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