1949 · United States
David Row is regarded as a well established artist, who originates from the United States. David Row was born in 1949. Some of the artist's contemporaries that are born around the same year and in the same country include Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.
Galleries and Exhibitions
David Row's work is on display in two galleries, which are Loretta Howard Gallery in New York, the United States and Holly Johnson Gallery in Dallas, the United States. David Row most recent exhibition recorded on Artland was at Loretta Howard Gallery in New York with the exhibition COUNTER CLOCKWISE. The exhibition was open from 06 September 2018 until 20 October 2018. David Row's only other exhibition is Summertime Blues: Collages, Drawings, Paintings, Photography, Sculpture, and Prints, which took place at Holly Johnson Gallery in Dallas, the United States (21 June 2019 - 27 August 2019).
Historical Context of United States
The United States has been key in the development of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural importance of New York asserted its influence over Paris, previously considered as the most powerful art centre globally. Leading art movements established and fostered in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many types. In the modern and contemporary period, the United States has exercised a prevailing influence over the visual culture of the World, due to the hegemony of its economic and political structures. Key examples of world renowned U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for David Row
David Row was born in 1949 and was primarily inspired by the 1960s growing up. The universal impact of the 1960s was truly sensational across the globe. Evocative of a time stirring both hope and anger, the 1960s triggered an explosion of cutting-edge ideologies and movements, truly sensational and spectacular. Historically set in the context of the Cold War, which would have a highly influential impact globally, mainly defined by the Iron Curtain dividing Europe both physically and spiritually, and significantly marked by the construction of the Berlin Wall in 1961. The 1960s re-defined all pre-existing assumptions on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The incredible escalation of mass consumerism also defined the era, generating new trends in marketing and advertising. Minimalism developed the crucial idea that art should subsist in its own reality, and not try to mimic the real world. Born of a desire to eradicate all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental philosophies of Abstract Expressionism, while eliminating the expressive and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own nuances and scopes, particular to different regions or countries. Spatialism, for instance, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Across Europe, the ideologies of Existentialism deeply influenced artists like Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the lingering angst of the meaninglessness of life.