1988 · France
Clémentine Coupau is an early career emerging artist, who was born and brought up in France, like other celebrated artists such as Francis Picabia, Edgar Degas, Maxime Touratier, Joël Hubaut, and Damir Radovic. Clémentine Coupau was born in 1988.
Clémentine Coupau's exhibition
Clémentine Coupau's work has most recently been displayed during the exhibition Bonding in Whispers at c-o-m-p-o-s-i-t-e in Brussels, Belgium. The exhibition was open from 30 May 2019 until 06 July 2019.
Historical Context of France
France has been an influential nation in the development of modernism. During the 19th century, France fostered the beginnings of what is today known as the avant-garde, including movements such as Impressionism, Post-Impressionism and Art Nouveau, led by critically acclaimed artists. In the first half of the twentieth century, Paris was a fundamental intellectual and cultural hub, establishing vital movements such as Cubism, Fauvism, Dadaism and Surrealism, amongst others. These movements flourished at the beginning of the century, in the period immediately preceding the Second World War. Major French creative figures from the beginning of the century include Paul Cezanne, Pablo Picasso, Georges Braque (Spanish national who settled in France) Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier amidst many of others.
Further Biographical Context for Clémentine Coupau
Clémentine Coupau was born in 1988 and was predominantly inspired by the 1990s growing up. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse group of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most famous artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became known for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a core idea. It was a term coined by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this idea.