1983 · Switzerland
Claudia Comte is an established mid-career artist, who originates from Switzerland, like other prominent artists such as David Bielander, Anton Alvarez, Nic Hess, Gaspard Delachaux, and Thomas Julier. Claudia Comte was born in 1983.
About Claudia Comte's work
Claudia Comte is best known for creating abstract work. Abstract art does not try to represent a faithful depiction of a visual reality, or of nature itself, but instead, with the use of colours, gestural elements and shapes tries to achieve its effect. The term can be applied to art that is primarily based on an object, or figure, where the main features have been simplified. Abstraction has been highly significant in modern art since the 1900s, with its origins grounded in Impressionism. One of the first, most influential movements related to abstraction is Cubism, with artists such as Pablo Picasso and Georges Braque, who through their work laid the foundations for a significant number of branches of abstract art.
Galleries and Exhibitions
Claudia Comte's work is available on display in several galleries around the globe such as in the United Kingdom, Japan, and Germany. Some of those galleries are König London in the United Kingdom, Gladstone Gallery in Belgium, as well as König Tokio in Japan. Claudia Comte's work has most recently been exhibited at König London in the United Kingdom (02 October 2019 until 09 November 2019) with the exhibition Fruits and Jungle. Claudia Comte's other most recent exhibitions recorded on Artland include the exhibitions; The Cavern of Lost Dreams (nine characters) (04 September 2019 - 25 October 2019) at Gladstone Gallery in Brussels and Time Matters (06 June 2019 - 09 August 2019) at Gether Contemporary in Copenhagen. Claudia Comte's first recorded exhibition in Artland's database was called Works from a Private Collection and took place at Grieder Contemporary in Zurich, Switzerland from the 05 October 2018 to 18 January 2019.
At the moment on Artland, two of Claudia Comte's works are available to purchase.
Historical Context of Switzerland
Perhaps the most significant Swiss contribution to the development of Modernism was the formation of the Dada movement in Zurich in 1916. Its founding members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly evolved into an prominent centre of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a haven from political instability elsewhere in Europe. Prior to that, Switzerland had originated some quirky and distinctive artists in the Post-Impressionist era of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another major movement that can be attributed to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier might have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were executed in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for affluent local clients. Important Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Claudia Comte
Born in 1983, Claudia Comte's creative work was largely influenced by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse group of artists, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved a large amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Conceptual photography led by German ideas and artists came to prominence. Artists like Andreas Gursky, Thomas Struth, and Wolfgang Tillmans gained major recognition, and inspired other artists such as the Canadian Jeff Wall, who experimented with the kind of cinematic expansiveness associated with the German artists’ work. Painters like Albert Oehlen and Martin Kippenberger exerted a notable influence on younger artists. Also gaining prominence at this time was an emergent trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami formed a powerful group called Kaikaikiki, which became internationally renowned as an artistic group. A proliferation of trends characterised the decade, including the highly derisive sculpture of Maurizio Cattelan, and extremely sensitive advancements of conceptualism as evidenced by the work of artists like Felix Gonzalez-Torres. Relational Aesthetics became a key idea. It was a term coined by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists such as Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this outline.