1955 · Switzerland
Christine Sefolosha is an established artist, who originates from Switzerland, like other prominent artists such as Valentin Carron, Uriel Orlow, Tanja Roscic, Fabian Marti, and Emil Michael Klein. Christine Sefolosha was born in 1955.
Historical Context of Switzerland
Perhaps the most important Swiss contribution to the history of Modernism was the formation of the Dada movement in Zurich in 1916. Its founding members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly evolved into an important hub of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a haven from political uncertainty elsewhere in Europe. precedingly, Switzerland had originated some quirky and extraordinary artists in the Post-Impressionist era of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another key movement that can be attributed to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier might have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were realized in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for wealthy local clients. Key Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Christine Sefolosha
Born in 1955, Christine Sefolosha's creative work was largely influenced by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The majority of the critically acclaimed artists from the 1960s, who had gained success and fame, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. Street art started to appear as a true and recognized form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in demonstrating that their artworks could exist at the same time in art galleries and on city walls. Driven by graffiti art, street art from its earliest days proved that it could endure in a constant flux of self-transformation, endlessly shifting the limits of modern art, becoming a truly ground-breaking artistic genre.