Charlotte Neel Ritto

1958 · Denmark

Artist biography

Charlotte Neel Ritto is a contemporary artist considered well established, who originates from Denmark. Charlotte Neel Ritto was born in 1958. Some of the artist's contemporarie that are from the same generation and country include Eva Koch and Lise Malinovsky.

Charlotte Neel Ritto's Gallery representation

Charlotte Neel Ritto's work is on display at galleri NB located in Viborg, Denmark.

Historical Context of Denmark

As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, which borders its southern frontiers. This sensibility is often combined with the Nordic attributes of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Acclaimed for his melancholic and extremely sparse interiors, Hammershøi's reputation was founded on his exquisite depictions of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a major country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.

Further Biographical Context for Charlotte Neel Ritto

Charlotte Neel Ritto was born in 1958 and was predominantly inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to progress and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, highlighting some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost twenty years ago, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the generation. The Arte Povera movement, which appeared in Italy, received international distinction in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were praised.

Charlotte Neel Ritto

  • Exhibitions 1

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