Ceng Siyou is seen as an established contemporary artist, Ceng Siyou was born in 1944. Artists François Bouillon, Giuseppe Bellino, Jeffrey Milstein, Pranata Ardiyanto, and Daniel Bambagioni are of the same generation.
Further Biographical Context for Ceng Siyou
Ceng Siyou was born in 1944 and was largely inspired creatively by the 1960s. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing concurrently as the most defining art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were blossoming. Minimalism developed the crucial idea that art should exist in its own reality, and not try to mimic the real world. Born of a desire to eradicate all pre-established notions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental ideologies of Abstract Expressionism, while getting rid of the emotional and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own distinctions and scopes, particular to different areas or countries. Spatialism, for instance, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Throughout Europe, the philosophy of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the lingering angst of the meaninglessness of life.