1956 · United States
Cara Barer is an established contemporary visual artist, who originates from the United States. Cara Barer was born in 1956. Some of the artist's contemporarie that are from the same generation and country include Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Galleries and Exhibitions
Cara Barer is represented by Andrea Schwartz Gallery | San Francisco in the United States. Cara Barer most recent exhibition recorded on Artland was at Andrea Schwartz Gallery | San Francisco in the United States with the exhibition #Booksupcycled. The exhibition was open from 11 June 2019 until 18 July 2019.
Historical Context of United States
The United States has been a major country in the development of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural prominence of New York assumed primacy over Paris, previously considered as the most significant art hub internationally. Major art movements established and cultivated in significant ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern repetitions of these many movements. In the modern and contemporary sphere, the United States has exercised a prevailing influence over the global visual culture, due to the hegemony of its economic and political institutions. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Cara Barer
Born in 1956, Cara Barer's creative work was primarily inspired by the 1970s. The 1970s were a period of consolidation and progress in the arts, most often defined as a response to the central stresses of the previous decade. Conceptual art emerged as a influential movement, a partial evolution of and response to minimalism. Land Art took the works of art into the sprawling outdoors, taking creative production away from commodities and looking to engage with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal reflections, creating cryptic and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly respected figures worldwide. Many of the artists who became so famous and successful in the 1960s remained leading figures. For example, Andy Warhol branched out into film and magazine publishing, the first kind of pan cultural activity for a visual artist. This secured his reputation as a globally renowned celebrity in his own right. Towards the end of the decade, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists like Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and guaranteeing that spray paint and tagging gained some egitimacy as a fine art practice, a trend which would fully develop and dominate during the following decade.
- Galleries Representing this Artist