1942 - 1988
Bodil Bodker-Naess was an artist, Bodil Bodker-Naess, born in 1942, died in 1988. Artists like Beate Andersen, Tamas Asszonyi, Erik Liljenberg, Guy Leclercq, and Alfredo Buenaventura were also born in 1942.
Further Biographical Context for Bodil Bodker-Naess
Bodil Bodker-Naess was born in 1942 and was primarily inspired by the 1960s. Artistically, the decade began with the twin movements of Pop and Minimalism emerging parallel to each other. On one hand, Pop espoused the visual culture of the mainstream and mass media, and of products and consumerism. Artwork by artists like Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the fast developing Capitalism of the United States, taking things like advertising, comic books and ideas surrounding celebrity culture as their main visual cues. A parallel movement developed on the West Coast in California - a strain that also related to language in art, and is viewed as the very first developments of conceptual art. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key constituents of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive ideas of Abstract Expressionism, but stripped away much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Around the world a number of artistic movements resonated the artistic concerns of the above mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for artists, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their idiosyncratic approaches to the human form and the angst related to the human condition.