1952 · France
Bettina Rheims is an established artist, who was born and brought up in France, like other celebrated artists such as Marc Riboud, Ella, Marcos Carrasquer, Carla Thomas, and Valerie Collart. Bettina Rheims was born in 1952.
Bettina Rheims' Gallery representation
Bettina Rheims' work is available for viewing at Galerie Xippas | Paris in France.
Historical Context of France
France stands out as one of the most influential agents of modernism. What is today known as the avant-garde was pioneered in the first half of the nineteenth century, and included progressive and ground-breaking movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art sphere. Critically praised and leading French artists from the beginning of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he initially was a Spanish national who settled in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was thought to be the most influential and intellectual artistic centre at the onset of the century and contributed to the development of such fundamental movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which appeared in the post war era.
Further Biographical Context for Bettina Rheims
Bettina Rheims was born in 1952 and was predominantly influenced creatively by the 1970s growing up. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all representative of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. The Arte Povera movement, which appeared in Italy, received international distinction in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were praised.