1950 · France
Bernard Faucon is an established contemporary artist, who was born and brought up in France, like other celebrated artists such as Sara Ouhaddou, Alain Veinstein, Auguste Rodin, Marion Charlet, and Marie Hazard. Bernard Faucon was born in 1950.
Bernard Faucon's Gallery representation
Bernard Faucon is represented and exhibited by L.A. Galerie Lothar Albrecht located in Frankfurt, Germany.
Historical Context of France
France strikes out as one of the most prominent agents of modernism. What is today referred to as the avant-garde was pioneered in the first half of the nineteenth century, and embraced progressive and cutting-edge movements such as Impressionism, Post-impressionism and Art Nouveau, driven by key figures of the art sphere. Critically praised and dominant French artists from the beginning of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he originally was a Spanish national who settled in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was thought to be the most important and intellectual artistic centre at the start of the century and contributed to the development of such vital movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which flourished in the post war era.
Further Biographical Context for Bernard Faucon
Bernard Faucon was born in 1950 and was largely influenced creatively by the 1970s growing up. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the decline of Abstract Expressionism almost two decades, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the generation. Across the globe, various movements defined the 1970s. Amongst others, feminism and the new radical ideologies it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, leading artistic figures of New York city started to embrace painters and sculptors from Latin America.