1955 · Brazil
Beatrice Caracciolo is an established contemporary artist, who was born in Brazil, like other well-known artists such as Tiago Tebet, Carolina Ponte, Carlos Bevilacqua, Juliana Borinski, and Anna Bella Geiger. Beatrice Caracciolo was born in 1955.
Beatrice Caracciolo's work is available on display in 3 galleries listed on Artland. The galleries exhibiting Beatrice Caracciolo's work include Paula Cooper Gallery | 524 West 26st Street, Paula Cooper Gallery | 529 West 21st Street, as well as Paula Cooper Gallery | 521 West 21st Street in New York, the United States.
Further Biographical Context for Beatrice Caracciolo
Beatrice Caracciolo was born in 1955 and was primarily inspired creatively by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, featuring some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre reclaimed its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the generation. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Discarding traditional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.