1949 · United States
Barbara Takenaga is seen as an established artist, who originates from the United States. Barbara Takenaga was born in 1949. Born in the same country and around the same year are Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.
Galleries and Exhibitions
Barbara Takenaga is represented by two galleries. These are DC Moore Gallery in New York, the United States and Gregory Lind Gallery in San Francisco, the United States. Barbara Takenaga's work has most recently been exhibited at Zürcher Gallery | New York in the United States (10 May 2019 until 15 June 2019) with the exhibition Dance with Me . Barbara Takenaga's other most recent exhibitions recorded on Artland include the exhibitions; Barbara Takenaga: Outset Barbara Takenaga: Outset (06 September 2018 - 06 October 2018) at DC Moore Gallery in New York and FOG OF CONSPIRACY (15 July 2019 - 23 August 2019) at Gregory Lind Gallery in San Francisco.
Historical Context of United States
The United States, particularly New York city, remains as a central point that has played a significant role in developing modern and contemporary art in the twentieth century. The idea of New York as a new cosmopolitan and highly powerful art hub came to be in the post war era, and the city succeeded in affirming its supremacy over Paris, which used to be regarded as the most powerful global art centre. The predominance of the political and economic structures of the United States in the modern era has provided the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that flourished in the US. These very movements also echoed into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally distinguished U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Barbara Takenaga
Barbara Takenaga was born in 1949 and was predominantly influenced by the 1960s growing up. The 1960s were a sensational decade internationally, bearing witness to proliferation of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the 20th century, and was epitomised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key elements of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive notions of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, a number of artistic movements echoed the creative concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for artists, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their idiosyncratic approaches to the human form and the anguish related to the human condition.